The Museum Ludwig in Cologne is hosting an exhibition of works by Karl Schenker, one of Weimar’s most famous society photographers: “Everybody who was anybody had their portrait taken in his Berlin studio on the famous Kurfürstendamm.” Many thanks to Dorothy Price for drawing our attention to this fabulous show!
From the exhibition catalogue: “After all, no one made their subjects look better, and there was no greater master of retouching. He wrapped actresses, dancers, and society ladies in tulle and furs before taking their picture—or he painted the fur into the picture afterwards. As a photographer, illustrator, painter, and for a time even a sculptor, Schenker dedicated himself to creating beautiful portraits of women. He made use of every means of retouching, but surely also the rising cosmetic industry and in some cases presumably the equally young cosmetic surgery. Especially women became formable material, and Schenker had one goal above all: beauty.
Little is known about Schenker’s life and work. Born in 1886 in Bukovina (Romania), he came to Berlin via Lviv and Munich around 1912, where he established a flourishing studio. In 1925 he moved to New York for five years, where he mainly illustrated and painted portraits under the name Karol Schenker. After 1930, back in Berlin, his name appears as an advertising photographer in magazines. But after 1934 the trail goes cold. Facing persecution as a Jew, in 1938 he emigrated to London, where he opened a studio on Regent Street. He died in London in 1954.
The Museum Ludwig recently acquired around 100 portraits and is taking this as an occasion to trace Schenker’s life and work for the first time and to rediscover an unjustly forgotten artist. Around 250 works will be presented, including international loans: photographic portraits of once-famous women and men, fashion and wax figure photographs, magazine covers designed by Schenker, an original drawing, a painting, movie star postcards—even collectible images from cigarette packages. To rediscover Karl Schenker is to rediscover a photographer who transformed his models in his works into the glamorous creatures they wanted to be seen as.”