Category Archives: Berlin

Weimar Cinema at Berlinale 2018

Bildschirmfoto 2017-11-24 um 15.30.32Weimar film fans have something to celebrate in 2018: the Berlin Film Festival Berlinale has just announced a whole section devoted to Weimar cinema next year, from Georg Lamprecht’s gritty proletarian drama Die Unehelichen (1926) to  Friedrich Dalsheim and Gulla Pfeffer’s ethnographic documentary Menschen im Busch (1931):”The Retrospective of the 68th Berlin International Film Festival will focus on the great variety of cinema in the Weimar era. Some one hundred years ago, at the end of World War I and the dawn of the Weimar Republic, one of the most productive and influential phases in German filmmaking began unfolding, a creative era that went on to shape international perception of the country’s film culture, even to the present day. For “Weimar Cinema Revisited”, the festival will present a total of 28 programmes of narrative, documentary, and short films made between 1918 and 1933. … Most of the silent film screenings will be accompanied by music played live by internationally renowned musicians.”

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Exhibition on Alfred Flechtheim

Alfred Flechtheim, the art dealer who brought Picasso to Berlin and founded the magazine Querschnitt, was one of the most important figures of Weimar Germany’s cultural scene. 80 years after his death, the Georg Kolbe Museum has put on a show about his life and work, featuring works by the artists he represented: Continue reading

Exhibition: Berlin 1937

9783939254430“Give me four years’ time” – with this slogan Hitler promised a total transformation of German society in 1933. The new exhibition Berlin 1937 at the Berliner Stadtmuseum looks at daily life in the German capital after Hitler’s four years and “the National Socialist dictatorship had permeated every aspect of German everyday life”: “What was the city like for its residents as they went from their homes to school or to work, to the church or to the synagogue, to air raid exercises or to dance? What changed under Nazi rule; what stayed the same? What were the consequences for individuals and for societal groups? And: To what degree was it possible to recognise the system’s criminal nature before the war and the Holocaust began?”

Walking in Berlin in 2017

In The Guardian, the journalist Vanessa Thorpe follows in the footsteps of Franz Hessel, author of the 1929 book Walking in Berlin. Quite remarkably, she contends that “the city that comes to life on Hessel’s pages could be straight out of Cabaret, based on Christopher Isherwood’s novel Goodbye to Berlin” – a book published 10 years later. If anything, Isherwood took inspiration from Hessel rather than the other way round.

 

Weimar 2.0 in Berlin?

out-now_january2A slightly different take of the currently popular Weimar comparisons in the Berlin-based expat magazine Exberliner: “Our new issue looks at the impact that Weimar’s gay sexologists, expat authors, cabaret dancers and Dadaist visionaries had on today’s Berlin and asks: How close are we to Weimar 2.0?”

Karl Schenker exhibition

csm_plakatmotiv_schenker_40642828ebThe Museum Ludwig in Cologne is hosting an exhibition of works by Karl Schenker, one of Weimar’s most famous society photographers: “Ev­ery­body who was any­body had their por­trait tak­en in his Ber­lin stu­dio on the fa­mous Kur­fürs­ten­damm.” Many thanks to Dorothy Price for drawing our attention to this fabulous show! Continue reading

Mobile Phones in Weimar Berlin

Already in 1926, the satirical magazine Simplicissimus had a premonition how Berliners would take to mobile phones. A great example of Weimar science fiction, from the collection of the Staatsbibliothek Berlin.

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