Tag Archives: Berlin

Weimar Cinema at Berlinale 2018

Bildschirmfoto 2017-11-24 um 15.30.32Weimar film fans have something to celebrate in 2018: the Berlin Film Festival Berlinale has just announced a whole section devoted to Weimar cinema next year, from Georg Lamprecht’s gritty proletarian drama Die Unehelichen (1926) to  Friedrich Dalsheim and Gulla Pfeffer’s ethnographic documentary Menschen im Busch (1931):”The Retrospective of the 68th Berlin International Film Festival will focus on the great variety of cinema in the Weimar era. Some one hundred years ago, at the end of World War I and the dawn of the Weimar Republic, one of the most productive and influential phases in German filmmaking began unfolding, a creative era that went on to shape international perception of the country’s film culture, even to the present day. For “Weimar Cinema Revisited”, the festival will present a total of 28 programmes of narrative, documentary, and short films made between 1918 and 1933. … Most of the silent film screenings will be accompanied by music played live by internationally renowned musicians.”


Mobile Phones in Weimar Berlin

Already in 1926, the satirical magazine Simplicissimus had a premonition how Berliners would take to mobile phones. A great example of Weimar science fiction, from the collection of the Staatsbibliothek Berlin.


Forgotten Workers’ Protests in the Weimar Republic

jahrbuchIn the Jahrbuch für Forschungen zur Geschichte der Arbeiterbewegung, Axel Weipert writes about the forgotten demonstration against the workers’ council law on 13 January 1920, when 42 demonstrators died and 100 were wounded in clashes with the police. The passing of the law marked the final defeat of the council movement of the German Revolution.

Philipp Reick compares the Poor People’s Movement in New York and unemployment protests in Berlin in the 1930s.

Festival Mythos Berlin

Mythos_835x300In March, the Konzerthaus on Gendarmenmarkt is hosting Festival Mythos Berlin, a series of concerts and events celebrating 1920s Berlin. The highlight of the festival is the European premiere of Marc Blitzstein’s 1928 one-act opera Triple Sec. Die Sünde des Lord Silverside.

Unfortunately, the organisers have missed the opportunity to include the Konzerthaus’s own role in Weimar history as the backdrop of Gustaf Gründgens‘ career in the early 1930s – the subject of Klaus Mann’s infamous novel Mephisto.

Time Travel to 1920s Berlin

snapshot_005A group of enthusiasts has set up an online version of 1920s Berlin in the virtual 3D world Second Life, complete with a Hotel Adlon, Eldorado club, a Red Wedding and the city’s very own group of chorus girls, the Fabulous Flaperettes. The community that frequents this online world has even run a successful donation campaign to pay for a Stolperstein monument in real-life Berlin, commemorating Rosa Bleiberg, a Jewish victim of the Holocaust. (Even virtual) Berlin ist immer eine Reise wert!

Hannah Höch at Whitechapel

hoechHannah Höch is one of the most fascinating figures of Weimar Berlin, not only as an avant-garde artist, but also as a reflection of social and cultural changes. She embodied the ‘New Woman’ – the idea of the modern, rational and emancipated female, that enjoyed great popularity in Germany after 1918 – while at the same time criticizing this new image of femininity in her work.

This exhibition at London’s Whitechapel Gallery, the first major show of her work in the UK, is a good opportunity to get acquainted with this Weimar icon.

>> review (The Guardian)

Individuality and Modernity in Berlin

9781107030985Moritz Föllmer offers an innovative approach to 20th-century German history by  reframing it via the quest for individuality:

‘Moritz Föllmer traces the history of individuality in Berlin from the late 1920s to the construction of the Berlin Wall in August 1961. The demand to be recognised as an individual was central to metropolitan society, as were the spectres of risk, isolation and loss of agency. This was true under all five regimes of the period, through economic depression, war, occupation and reconstruction. The quest for individuality could put democracy under pressure, as in the Weimar years, and could be satisfied by a dictatorship, as was the case in the Third Reich. Continue reading